剧情简介
赛巴斯提安和玛雅是非常不同的两个人。当玛雅的未婚夫在圣诞节和她提出分手，岛国她接受了造访西部亲人的邀请。她在12月22号到达机场，岛国发现赛巴斯提安也在飞机上。但命运还有更残酷安排的等着她。天气问题迫使所有航班取消。塞巴斯蒂安又有了一个计划租一辆车一起开到西部去。这次意想不到的事情发生了，他们爱上了彼此。因为和各自的亲人共度了圣诞，他们意识到彼此才是自己最想要的人。
岛国一区二区
赛巴斯提安和玛雅是非常不同的两个人。当玛雅的未婚夫在圣诞节和她提出分手，岛国她接受了造访西部亲人的邀请。她在12月22号到达机场，岛国发现赛巴斯提安也在飞机上。但命运还有更残酷安排的等着她。天气问题迫使所有航班取消。塞巴斯蒂安又有了一个计划租一辆车一起开到西部去。这次意想不到的事情发生了，他们爱上了彼此。因为和各自的亲人共度了圣诞，他们意识到彼此才是自己最想要的人。
回复 :在开往羽越列车上，年轻男子中原朗（萩原健一 饰）邂逅了美丽端庄却带着些许恐慌和拘谨的女子松宫萤子（岸惠子 饰）。中原油腔滑调，甚至有些厚脸皮，在他不懈的努力下，萤子终于轻启金口，二人有了初步的言语交流。抵达羽越后，中原找到萤子，随其前往母亲的墓前祭拜。他们的交流越来越深，分别之际约定次日的12点再次相见。当第二天中原赶到约定地点时，却发现萤子已匆忙离开。在站台前，他得知萤子早先获罪入狱，此时尚非自由之身。此时的二人，已经慢慢爱上了对方……本片荣获1972年电影旬报十佳影片第五名；1973年每日电影最佳摄影、最佳导演和最佳剧本3项大奖。
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
回复 :北宋年间，豪侠辈出，引出多少传奇故事。话说御猫展昭（郑少秋 饰）和锦毛鼠白玉堂（傅声 饰）本届为富家子弟，且同宗一师（刘家荣 饰）。展昭沉稳老练，白玉堂争强好胜，这对师兄弟偏偏互不相让，为了一显自家本领，借助师傅之手展开连番比试，终令师傅气恼难耐，将二人逐出师门，他们从此闯荡江湖。白玉堂偶然机缘救助当今圣上（刘家辉 饰），可惜当面错过，反令展昭随后得到皇上赏识，继而入宫为官，获奉“御猫”。闻听此讯，白玉堂大为不满，遂潜入宫中盗出玉玺，更上演了一出五鼠闹东京的千古好戏……本片根据话本小说《七侠五义》改编。
