美丽正直的纪律检查干部姜钟琪（霍秀 饰）一早来到在菜市场当经理的哥哥姜维平（铁牛 饰）的办公室，赵吴原来纪委接到两封检举信，赵吴一封检举水产组营业员李晓青（陈烨 饰）收受顾客的华侨券，一封时李晓晴检举水产大组长孙水康（迟重瑞 饰）在批发过程中弄虚作假开后门。晓晴和水康都是菜市场的先进工作者，钟琪还是水康的男朋友，因此钟琪认为这里面可能存在一些误会。菜市场开市，顾客们因为买不到水产大吵大闹。钟琪近距离对两个人展开了解和调查，而晓青因为钟琪和经理以及水康的关系而心存顾虑，刻意与之保持距离。一面是亲情和爱情，一面是工作的责任，钟琪如何能够一碗水端平？
回复 :1986年美国达拉斯市，恐同的德州电工罗恩·伍德鲁夫（马修·麦康纳 Matthew McConaughey 饰）发现自己患上“同志病”——艾滋，生命只剩30天。他使用的AZT（叠氮胸苷）是当时美国药管局唯一批准面市的抗艾药物，但毒性极大。为了活下去，罗恩开始研究各种抗艾 处方和替代疗法，甚至走私来自世界各地未经批准的药物。在医生萨克斯（詹妮弗·加纳 Jennifer Garner 饰）和异装癖同性恋雷蒙（杰瑞德·莱托 Jared Leto 饰）的帮助下，罗恩开始成立了一个叫做“达拉斯买家俱乐部”的地下组织，为艾滋病人提供更多“非常规疗法”，很多患病的男同性恋亦求助于他。他的举动自然受到了药管局和药商的阻挠和施压。罗恩最终在1992年9月去世，离他被告知只剩30天可活已经过去了2557天。在这近7年时间里，他坚持不懈的与病魔、与药管局及制药商进行艰苦的斗争，享受真正活过的人生......本片根据真人真事改编，讲述一个绝症病人如何努力求生并拯救成千上万面临同样境遇的人的故事，提名金球奖剧情类最佳男主/男配以及获得大小29个奖项。
路瑞德
回复 :影片讲述知名电视台主持人任志豪（周柏豪 饰）因节目事故导致事业跌入谷底，而一场火灾事故的幸存者同时也是被指控为杀人案嫌疑人的吴若昕（王真儿 饰）被他认定为事业转折的契机。在调查中任志豪发现吴若昕曾被维克多（罗伯特·克耐普 饰）禁锢在满是精神病人的康复中心内，为此吴若昕想尽办法逃离这座阴森恐怖的“囚牢”，随着调查的一步步推进，任志豪发现事件背后隐藏着不可告人的惊天秘密……
巫慧敏
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.