康小小，久久久无一个高大英俊、久久久无心地善良的十八岁少年。他智商略低，但天真质朴。儿时父母双亡，与70多岁的奶奶相依为命生活。陆齐身，一个儒雅智慧，温良严谨的地产商人。他孝顺，为让生病的父亲多活一天愿意付出自己的全部。一次车祸，将康小小和陆齐身的命运相连。车祸中，奶奶死了，小小按照婶婶的吩咐找到了车祸的肇事者陆齐身却不慎将自己划伤。小小出院后，被接到陆齐身的别墅休养，陆齐身对康小小非常好，仔细过问康小小的饮食起居，并定期送他去医院进行体检和抽血化验。这期间，小小结识园丁钟阿虎。小小喜欢阿虎，他们很快成为好朋友，然而阿虎却无意中发现，陆齐身待小小这么好，背后另有原因……
回复 :纽约基斯科山，小青年托比·马歇尔（亚伦·保尔 Aaron Paul 饰）和伙伴们共同经营一家改装车行，他同时也是一名技术精湛的赛车高手。虽然刚刚在一场比赛中赢得奖金，但是车行的经营状况还是到了令人堪忧的底部。恰在此时，拥有专业赛车手资格的土豪迪诺·布鲁斯特（多米尼克·库珀 Dominic Edward Cooper 饰）找上门来。迪诺此前撬走了托比的女友，两人可谓不共戴天。但是迪诺此次给他带来一单不小的改装生意，托比和伙伴们成功打造出一辆时速超过370公里的福特野马，而嫉妒心炽盛的迪诺为了最强赛车手的名号向托比发起挑战。为了丰厚的报酬，托比和好友利托·比特共同参赛。谁知迪诺导致利托死亡，事后还嫁祸托比。出狱后，托比借来他的那辆得意之作福特野马，发誓要为利托讨回公道……
回复 :绰号“金鹿”的百货商场售货员金明露是一个美丽爱打扮的女孩，不过在那个时代这可不是什么值得夸耀的事情。这不，前不久百货商场为了提高员工的服务意识，号召顾客投票选出最令顾客满意的售货员，结果令领导意想不到的是金鹿竟然是高票当选者。一时间评委会议论纷纷，有的人认为她花枝招展，轻浮妖媚，热衷于拍戏跳舞，既不追求进步也不安心商场的工作。为了调查真相，郭经理派团委书记王淑娴近距离观察金鹿。王淑娴是一个守旧古板的女性，她先入为主看不惯金鹿的言谈举止，可是当金鹿走到柜台后面，和顾客面对面接触之时，终于发现了金鹿性格中闪光的一面……
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
