李霄云
发表于9分钟前回复 :聚焦1925年雪橇手和雪橇犬齐心协力为拯救阿拉斯加州诺姆市孩子的性命而奔波于血清接力路上的事件,被称为“Great Race of Mercy”。本片将登陆迪士尼自家流媒体,2019年推出。1924年年底,诺姆市一个2岁小孩生病,医生诊断其患有扁桃体炎,这种疾病通常不会有生命危险,然而这个小孩成为例外,接下来很多孩子都被诊断患上了扁桃体炎,有几个不幸离世,医生最终确认这种病症是白喉。当时有一种疫苗能够用来对付白喉,然后诺姆市的疫苗全部过期,新疫苗在港口关闭前却未能送达,来年6月波罗的海才会解冻,也没有公路直通诺姆市、没有飞机,唯一运输货物的通道是邮路,然而冬天只有雪橇犬能够通行。卫生局决定使用两组雪橇犬接力运输,20个雪橇手和150只雪橇犬必须日夜兼程,经过河流,跨过平原,穿过森林,穿越冰冻的阿拉斯加邮路。最近的疫苗所在地为南纳,距离诺姆市1085公里,一般情况下狗拉雪橇需要费时25日,而他们只花了5天半就成功完成接力,拯救了多名孩子的性命。本片主角Togo是挪威赶雪橇高手Leonhard Seppala(达福饰)使用的其中一只领头犬,因机智、卓越的领导力和敏锐的直觉备受称赞。Seppala被委任传送这场接力中最危险的一段,从诺姆到奴拉托接收那批免疫血清,在零下30度、七级以上强风的环境下成功完成了任务。之后南极探险家Roald Amundsen为Togo颁发了一枚金牌。比约恩饰演一名接力人员,在途中背叛了Seppala。
城南海
发表于8分钟前回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.