阿虎是一个自由搏击拳手（刘德华 饰）。他抱着“打假拳”的心态代表香港到泰国参加了比赛，视频完全没想着要胜出比赛。阿虎在泰国与女摄影师阿萍相遇，视频两人相处后产生了感情。阿虎在比赛时无心恋战中途弃权，对手察差却故意挑衅。阿虎被激怒后错手将对手打死了，结果阿虎被判入狱13年。出狱后，阿虎急着寻找阿萍，但原来阿萍已经去世了剩下了为阿虎生下的女儿Poly。阿虎便极力寻找下落不明的女儿。过程中他认识了孤儿院院长霗（常盘贵子 饰），这位年轻的院长帮他找到了女儿。性格同样倔强的Poly十分不满父亲抛弃她们母女，阿霗从中调解。女儿要求阿虎能胜出拳赛，才会遇阿虎和好。后来又有人认出了阿虎是当年的杀人犯……
回复 :Madeleine steals a string of pearls in Paris and uses US engineer Tom, who is driving on his vacation to spain, to get the pearls out of France, but getting the pearls, back from him prooves to be difficult without falling in love.
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
回复 :拉斐尔是一个拾荒男孩，他在垃圾山每天靠筛分垃圾为生。然而一个幸运而又不幸的一天将他的世界就此改变。这天他无意拾到了一个小钱包，一个充满谜团、线索并足以改变一切的钱包。然而不久，拉斐尔和他的朋友便遭到了腐败警方的追捕，三个男孩便与警方展开了斗智斗勇的追逐。渐渐地，他们逐渐发现这里面是一个关于一位死去的男人未完成的使命，三个拾荒男孩决心接手这份使命，他们将要独自面对危机四伏的世界......