少妇In one of Tarr鈙 rare nonnarrative films, actor-composer Mihály Víg recites the poetry of Sándor Petöfi (1823?9) while playing the organ in the back of a truck moving through the plains. In Hungarian with English subtitles. 39 min.
回复 :澳门篇：在澳门的兰桂楼（烂鬼楼），古董店和估衣店比邻而居，两店老板焦易（谷峰 饰）、何炎（王侠 饰）的妻子阿兰（胡锦 饰）、阿桂（陈萍 饰）是一对风骚入骨、别有一番韵味的妙人儿。正所谓家花不如野花香，虽然老婆美若天仙，但焦易和何炎依然对对方的老婆垂涎三尺。某日焦易假装外出，接着撞破何炎与阿兰的私情，他干脆将计就计，逼迫老婆为他和阿桂搭桥牵线。香港篇：风流赌徒贺达（石修 饰）往返港澳之间，赌场情场双得意。在一间名为宇宙会所的非法赌馆内，他邂逅美艳女子嘉莉（恬妮 饰）。嘉莉是某黑市名流的夫人，其卓越风韵和出众赌技勾起贺达的兴趣。一场艳情传奇就此展开……
崔正哲
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
回复 :7-year-old Bertil's parents are at work and Bertil are home alone and bored. He is the only child in the family since his sister Martha died of an illness. But everything changes when he meets little Nils Karlsson Pyssling and they become friends. Nisse who lives in the basement in a room he rents from the rat Tjofsan,wich is cruel.
